The Necklace at Grand Gulch, Utah
In their last post, Bill and Dori shared their discoveries and ideas about using rock art to engage in creative contemplation in a way that enhances critical thinking. The goal is to build self-efficacy (recognizing the level of one's ability to use challenges as an opportunity to overcome difficulties and succeed). One challenge that Bill and Dori have in common is the loss of loved ones.
Dori began developing a process for merging feelings, emotional awareness, and logic while journaling during the short illness and then loss of her
fourteen-old daughter, Cj, in January 2000. Cj's medical staff encouraged Dori
to share her writings, which model tapping into our integral wisdom for creative solutions when grieving. Therefore, she
published her journal in 2002 as The
Healing Room: Discovering Joy through the Journal.
The public’s positive response to her workshops in bookstores inspired her to pursue a doctoral education in resolving loss. Dori’s dissertation succeeded in specifying steps
for integrating feelings and emotional regulation (EQ) with intellectual analysis (IQ) in a way that
promotes optimum problem solving. Co-writing Engaged offered both Dori and Bill opportunities to explore and
expand upon this process into artful ways for re-engaging the imagination by blending
images of rock art with poetry and even recreating one’s story.
Rock art, when viewed in relationship to one’s own life, becomes
a sacred exercise of creative contemplation that can enhance critical thinking
skills. This process stimulates the imagination for optimum brainstorming and offers
an alternative way of responding to challenges instead of reacting to situations. This is
essential for developing self-efficacy, which also includes assessing one’s level
of skill and making recommendations for improvement while keeping one’s
strengths and limitations in mind.
Study the line drawing of The Necklace above. Ask yourself: “If this is a dream, what do I see going
on?” Allow yourself to answer quickly
without making any judgements. Write out what could be a theme, who/what might be
the characters, what actions might be going on, what kinds of interactions are
happening, where it might be happening, when it might be happening, and
anything else that comes to mind.
2. How does this make
you feel?
What sensations do you feel? Use vocabulary of physical sensation (tingly, light, stifled, heavy, hot, cold, sweaty, dry, expansive,
constricted). “If this was really happening, I would feel ____.”
3. What is your
perception of emotion?
Attach adjectives of emotions that you
perceive go with your feelings. Begin with the simplest such as happy, sad,
angry, confused, excited, fearful, anxious, enthused. “This physical sensation makes me feel
_____.”
4. Releasing Feelings
Take
a moment to focus on these sensations, and release them while breathing for
five cycles.
5. Reimagine the Story
How might you change the scene to improve on the
story? What line drawings could you add to the scene? If you felt very positive
about the story, what could you add to make it negative, and vice versa. Does
it relate to anything that has happened or is happening in your real life? If
so, what can you do differently in order to change how you are responding to
the situation?
6. Evaluating the Outcome
How does changing the story make
you feel about self-efficacy (your ability to use
challenges as an opportunity to overcome difficulties and succeed as well as
being aware of limitations)?
Now that you have experienced this process using rock art, use it the next time something happens that bothers you. Make a drawing of the situation using simple lines. Then go through the same steps. Once you become comfortable with this process, you can begin experimenting with using it to write your own poetry and create your own drawings in response to life events.
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